Tuesday, November 26, 2019
Hypertension essays
Hypertension essays Hypertension is the increase of blood pressure above normal levels over an extended period of time. Anyone with a regular blood pressure reading greater than or equal to 140/90 mmHg is considered to have hypertension. Those with a blood pressure of 120/80 mmHg to 139/89 mmHg have prehypertension. Blood pressure is measure with two numbers. The top number represents the systolic pressure, which is the pressure in the arteries as the heart pumps. The bottom number represents the diastolic pressure, which is the pressure in the arteries as the heart fills. Hypertension and its treatment should not be taken lightly. If left untreated, high blood pressure can cause damage to the blood vessels, heart, kidneys, and eyes. It can also increase your risk of heart attack, stroke, and even premature death. The cause of most cases of high blood pressure is not known. However, certain people are more prone to hypertension. These include African Americans, diabetics, people with a family history of high blood pressure, and anyone over the age of 60. Hypertension affects roughly 50 million Americans and approximately 1 billion people worldwide. In order to lower your blood pressure and reduce your risk of heart disease, the first step is to take the medicine your doctor prescribed and follow the dosing instructions. But it is also important to make some simple changes in your daily routine to live a healthier life. ...
Friday, November 22, 2019
How to Publish a Childrens Book in 6 Simple Steps
How to Publish a Childrens Book in 6 Simple Steps How to Publish a Children's Book: A Guide for First-Time Authors In the early 1990s, Julia Donaldson - a former busker and wife of a university lecturer - was approached by a publisher who wanted to adapt one of her songs for the BBC. With the release of A Squash and a Squeeze, Donaldson published her first childrenââ¬â¢s book at the age of 45, igniting a career that resulted in modern classics like The Gruffalo, Room on the Broom, and Stick Man.Donaldson had the edge over most first-time authors, in that she had a background in kid's TV. But how does a regular person - one with no connections to the arts - become a published author? In this post, weââ¬â¢ll show you how to publish a children's book and get it into the hands (and hearts) of young readers everywhere. First-time authors: How do you get your children's book published? 1. Know the marketKnowing your audience is essential when youââ¬â¢re writing your book and crucial when youââ¬â¢re selling it. The first thing an editor wants to know is whether itââ¬â¢s the kind of book they can sell. Homing in on your bookââ¬â¢s target audience will also help demonstrate your understanding of the publishing business, which is something most editors want in a collaborator.What are the age ranges for children's books?Broadly speaking, childrenââ¬â¢s fiction is divided into four categories:Picture Books: under 5 years old, under 1,000 wordsEarly Readers: 5+ years old, 2,000 to 5,000 wordsChapter Books: 6-9 years old, 5,000 to 10,000 wordsMiddle Grade (MG): 8-12 years old, 30,000 to 50,000 wordsYoung Adult (YA): 12-18 years old, 50,000 to 100,00 wordsModern editors take word count quite seriously. They rarely have time to thoroughly edit the books they acquire, so if youââ¬â¢ve written a 200,0000-word middle-grade opus, most editors will think, ââ¬Å "Who needs that kind of stress?â⬠and give it a hard pass.If you want to learn more about writing for each category in children's publishing, sign up for this free online course on Reedsy Learning. Research the marketYou want to see firsthand what bookstores are selling and promoting. Scanning Amazon's Best Sellers list is fine, but going into a Barnes Noble will give you a much better idea of ongoing trends. Brick and mortar stores still make up a large chunk of the childrenââ¬â¢s market and - more so than with adult books - most parents still prefer them over online retailers.As we mentioned earlier, regardless of whether they're self-publishing, children's authors are expected to do a significant share of the marketing work. 80% of the time, marketing "kidlit" is the same as marketing any other book. There are dozens of great book marketing ideas for you to mine - from creating a mailing list to running promotions with other authors.In this section, weââ¬â¢ll focus on the other 20%: the marketing techniques that are unique to childrenââ¬â¢s books.Reviews are even more importantParents rely more on reviews when buying books for their children than when theyââ¬â ¢re doing it for themselves. They want to see what other parents think, how other children have enjoyed it, and whether the subject matter is appropriate for their own kids.Even more so than with a self-published thriller or romance novel, a picture book with no reviews will really struggle to sell - and will be impossible to place in a library or bookstore. To learn how to get reviews for your book, check out this post.Look to online communities for influencers and a street teamBlogs, Instagram, Facebook Groups, Twitter, Reddit. These days, most parents of young kids are millennials. As a result, they will rely on the internet for almost any kind of recommendation (another generalization, admittedly).Search through Facebook for childrenââ¬â¢s book groups, or groups that might be concerned with the topic of your book. If youââ¬â¢ve written a picture book about firetrucks, you can bet thereââ¬â¢s a Facebook group of people (or people with kids) who love fire trucks.Share p ictures of your book on Instagram or Twitter using relevant hashtags - ones that either deal with your bookââ¬â¢s topic (#unicorns #firetrucks) or tap directly into your audience (#mommylifestyle #picturebooksaremyjam).Work with an influencerYou will have likely heard of the term "influencer," most commonly used to describe YouTube or Instagram personalities who get paid by brands to promote products. While itââ¬â¢s not a bad idea to reach out of any of these people whose interests align with your book, remember that influencers come in many forms!Yvonne Jones wrote a picture book about a monster truck (Lilââ¬â¢ Foot the Monster Truck) and to promote it, she reached out to Bob Chandler, creator of Bigfoot and originator of the monster truck sport. He liked the book and gave her a short review, which then helped get her foot in the door with various monster truck associations and blogs.Similarly, if you can identify someone who has some clout amongst people who might buy yo ur book, then politely reach out, introduce yourself and offer to send them a copy of your book.School visits!Most schools will welcome visits from authors - in fact, some schools even set aside an annual budget for it. So why not get in touch with an administrator or a librarian and ask what you can do for them? And if youââ¬â¢re doing the school visit for free, Jones suggests taking the opportunity to sell some copies.ââ¬Å"Follow up your first email with a phone call to let them know that you visit local schools for free, in return for the school sending slips home, offering the chance to buy signed copies of the book.â⬠Of course, there are plenty of other marketing avenues to pursue - many of which you can learn about on Reedsyââ¬â¢s free course on childrenââ¬â¢s book marketing.Are you an aspiring or experienced childrenââ¬â¢s writer? Share your thoughts in the comments below.
Thursday, November 21, 2019
PC Chipsets Case Study Example | Topics and Well Written Essays - 1000 words
PC Chipsets - Case Study Example This was up by roughly 2.1 % from the previous year. Its next closest competitor was Toshiba, which barely took second place with 5.0% of the total market. This was not a good year for Toshiba, which saw its market share drop by almost 1% from the previous year. Closely nipping at its heels was STMicroelectronics, a company that took in 4.7% of the market. The company did relatively well, with its share up from 4.0% in 2000. Texas Instruments and Samsung complete the top 5 microchip industry leaders, but both showed signs of decline in 2001, in a nod to a terrible year for microchip producers. Everyone knows just how dominant Intel is in the microchip and microprocessor business. But since Paul Otellini began his tenure as CEO in 2006, Intel has rapidly diversified its business approach. According to Mcgregor (2007), "The new Intel is changing the competitive landscape with its expansion into new markets. Thus, entry into these industries has brought new competition for the silicon giant from companies such as ARM and VIA in the low-power form factors and consumer electronics space, while more traditional competitors such as AMD and IBM adopt a flanking stance to these new strategies. ( p. 17) AMD has actually been trying numerous strategies to try and catch up with the dominance of Intel. In what some industry analysts viewed as a ploy to increase their share price, AMD filed an antitrust suit against Intel. Business Week (2005) states that "the company has filed sealed court documents alleging that Intel Corp. used unfair business practices and scare tactics to stop AMD from winning microprocessor contracts with major computer makers" (p. 9) Intel would later sharply refute these allegations, arguing that its rival was the victim of its own lapses in judgment. In a nutshell, AMD is the only major competitor in the processor market. Competitors in PC chipsets include VIA Technologies, SiS, ATI, and Nvidia, and its competitors in flash memory include Spansion, Samsung, and Hynix. 1 2. Products that use the Intel Chip The world's largest semiconductor company is the inventor of x86 series of microprocessors, which is basically the processor found in most of the world's computers. It is responsible for much of the growth in the personal computer industry, and is the undisputed leader in producing microprocessor chips. In the 1980's at the onset of the personal computer revolution, Intel supplied chips to both IBM and Compaq, setting up the stage for a competitive market for PC-compatible systems. This set up Intel as a key component supplier in the rapidly emerging market. Today, the biggest names in the market make use of the Core2Duo and Intel Centrino processors in what serves as the closest thing to a market standard. Among many others, heavyweights such as Dell and IBM use Intel processors in all of their desktop and notebook pc models. Even former competitors have started to join the fray, as the New York Times (2007) announced that "Sun Microsytems and Intel, two technology companies that ha ve rarely found themselves on the same side of the aisle, announced a deal on Monday for Sun to use Intel chips in some of its computer servers, a setback for rival chip maker Advanced Micro Devices" ( p. 8) However, the biggest coup for Intel was when Apple CEO Steve Jobs announced that Apple would be switching from its PowerPC
Tuesday, November 19, 2019
Critically appraise the developments, challenges and understanding of Essay - 1
Critically appraise the developments, challenges and understanding of corporate social responsibility (CSR), by business and academics in todays business environment - Essay Example They only need to strive to fulfil the several societal requirements. For this, they not only need to be socially responsible but also have to undertake ethical implication of their decisions. Considering all the emerging societal issues and requirement of the society from the corporation, it has been intended to demonstrate the aspects of corporate social responsibility in this paper. It will start with the historical development of the concept and then will exhibit the various theories related to CSR. The basic objective behind presenting this paper is to address the issues and challenges of CSR and to devise a new strategy considering the existing theories and further demands of the society from business entities. To validate the entire discussion, instances from an existing business will be undertaken. There was a transformation and drastic change from the hand-made items to the machine made products after the industrial revolution. It brought changes in the general life in both positive and negative manner. Impact of this revolution has been noticed in every field, such as art, music, architecture, literature and even in the manââ¬â¢s way of looking. Simultaneously, there was a rise not only in the working conditions and of declined pollution level but also in the number of working children and women. In other way it can be stated that the revolutions resulted in both dire consequences and productive. Therefore, requirement of society has also developed and with the passage of time outlook of the business entities has also changed. Not only the government sector but also the private sector has encompassed strategies based on corporate social responsibility (ICFAI, 2003). Again at the end of the Second World War, re-examination of the relationship between the community, state and the industry became necessary. The ââ¬ËUS Marshall Aid Programââ¬â¢, Mac Arthurââ¬â¢s ââ¬ËReconstruction Programââ¬â¢ in Japan and
Sunday, November 17, 2019
Comparing Two Computer Advertisements Two Computer advertisements Essay Example for Free
Comparing Two Computer Advertisements Two Computer advertisements Essay Whether you like it or not, the media, to a large extent, defines your life and the way you think. It includes television, cinema, radio, video, magazines, books , the internet and newspapers. In this essay I will be taking an analytical look at two computer advertisements that caught my attention in two different newspapers, namely The Guardian, and The Sun. What is amazing is the amount of space taken up by both advertisements. Both adverts can be categorized as advertorials as the companies they represent are describing and promoting their respective products. As the Guardian is a broadsheet and The Sun a tabloid, it goes without saying that each will target a different audience. The content in text A features a computer and tells the reader about the software and hardware that they are trying to sell. The article is written in quite a persuasive style. The Macintosh Performa in text A is advertised in The Sun and makes use of an attention-grabbing heading that is also ambiguous: Difficult. Temperamental. Hard to understand. On a quick glance at the text and looking at the picture of a sullen-looking boy, one is ready to make the association about a boy who is possibly throwing a tantrum. And it is in the ambiguity where the punch-line lies. Unlike the boy who will be tantrumming from time to time, with the Macintosh Performa, theres no frustrating, baffling patience-trying set-up procedures. The layout is really spectacular. The article takes up an entire page. The main text is set out in three columns, relatively densely printed with early paragraphs playing on the implication that both computers and children can be Difficult. Temperamental. Hard to understand. The rest of the text stresses that the Performa is a well-behaved and versatile computer. The text is broken up by the use of two line drawings of the computer and the software. The tone of the text is reassuring, helpful, and stresses accessibility of the Performas functions. The price of the computer is tactically delayed until the third column: The price of the computer start at just à ¯Ã ¿Ã ½1,099. The reader or prospective buyer will at this point feel that it is worth every penny with all its functions. There is also a constitutional reference to the model featured and appears in very small print at the foot of the page. And a list of dealers is also in very small print at the foot of the page. Advertisement B shows a weak distant view of the front of an Aptiva computer. The company that promotes this product is IBM and their logo is located in the right hand corner at the bottom of the page. The complete system is there for the reader to see. I also think that they are trying to tempt the reader as they use a cluster of adjectives: Loud, colourful, fast-moving, enjoyable, stuff The immediate contrast between the two texts is the layout. Unlike text A, that has three columns, text B has no columns, only paragraphs with sub-headings. And this makes the advert appear dull and unattractive to the readers. But then again, the audience in this case is different to that of text A. As this advertisement appears in the broadsheet newspaper, its readers are usually keen business people and the emphasis is not so much on entertainment but on efficiency and cutting edge technology. Therefore, when the price 1,799 is quoted the reader will not be surprised at all. However, a touch of humor is added when OK, maybe not for dogs. appears in very small print next to the price. This humorous note may have been included to discourage readers from dwelling on the price. Reference to the model featured appears in a very small print at the foot of the page. The heading is fairly conventional, using bold, white lettering against a black background. The main text is set out in paragraphs and the word Stuff is repeated in the large 5 sub-headings. The tone of the text is light-hearted, whimsical, with a joke in each of the first two sections. You can also see the TOYS R US logo under the photo of the computer which tells you they are the outlets for the new Aptiva. Both advertisements use persuasive techniques for example, repetition in text B the word stuff. The word stuff gives it a more colloquial style. Of the two advertisements I liked the Performa more as it appears to be very user friendly: As soon as you plug it in, the Performa can run, However, it needs to be said, that when you buy an Aptiva, you buy into a new lifestyle.
Thursday, November 14, 2019
Business Reengineering Essay -- Business, Change
Reengineering or the business process reengineering was one of the biggest business ideas in the 1990s, in its classical view, Davenport et al (2003) claimed, it incorporated few diverse ideas: ââ¬Å"a) The radical redesign and improvement of work; b) The attacking of board, cross-functional business processes; c) [Stretch] goals of order-of-magnitude improvement; d) The use of IT as an enabler of new ways of workingâ⬠(p. 157). In the beginning, reengineering was simply an idea to rebuild processes using the then new applications of IT, but lastly it became a dissolute thing: laying-off loads of workers or cutting the cost of production merely to get a company's stock price up; it instead became a real hierarchical diversion or pastime for senior executives that they suppose to create solution or new approach for issues (Ubiquity, 2003). 3C leaders and managers must learn all these past mistakes of reengineering related to organizational change and new business ideas, as Davenport et al (2003) analyzed and suggested: 1) Do not forget that any transformation, change must be implemented by employees. If people and their wishes and behaviors are not consider firstly in any new business approach, it will probably have a tough time succeeding; 2) Do not seize-upon the most radical, hype-laden narrative of the new idea as the one you want to set up in your organization; the expectations about what you can achieve may be raised higher than what you can achieve; 3) Reengineering should augment or supplement rather than replace ideas; No single idea is all-encompassing or all-powerful; 4) Radical or across-the-board change is inherently riskier than incremental change; 5) When carrying out a new business idea, managers are all ... ...in which to run experiments that the gurus may need to develop their proposals or ideas (Harvard). In strategic planning and evaluating creativity, 3C management must measure the courses of idea and creativity to ensure they obtain the best and maximum returns from platforms; feedback, criticism and suggestion could develop into the direction or focus of creativity, but they also would facilitate, motivate and improve idea or innovation in the organization (Davenport et al, 2003). Overall, in order to manage and deal with the attributes that consider stifling creativity in 3C, management not only must discourage intolerance or fear of failure and maintain openness with constructive and optimistic, but they also must continue tolerance, flexibility, determination and intelligent risk taking with understanding creative potential in self (Harvard, 2003).
Tuesday, November 12, 2019
Ways Language To Create Meaning In Dubliners English Literature Essay
The cliches meaning and value as cliche depends on our acknowledging both its perfect imitation, its exact repeat, of the old happenings of its ain words ( to be a cliche , it must be quotable word for word ) and its difference from other possible words that could replace it[ 1 ] Harold F. Mosher Jr defines the importance of cliches and the importance of repeat in a similar manner. He highlights the importance of cliches to ââ¬Ëperfectly copy ââ¬Ë predating events through the usage of repeat. The utilizations of repeat and the significance of words and phrases to copy these predating events will be explored in this essay. The subject of flight is shown in assorted narratives in Dubliners. In ââ¬ËThe Sisters ââ¬Ë , the priest foresees he is ââ¬Ënot long for this universe ââ¬Ë and this persists in Eliza ââ¬Ës statement: ââ¬Ëhe ââ¬Ës gone to a better universe ââ¬Ë and the male childs uncle ââ¬Ës recollection that the priest ââ¬Ëhad a great wish ââ¬Ë for the male child. In ââ¬ËThe Dead ââ¬Ë , Gabriel wants to go forth ââ¬Ëon his journey due west ââ¬Ë . The repeat of the noun ââ¬Ëworld ââ¬Ë suggests an alternate universe the characters wish they can get away to when they die. This alternate universe can be seen as Eden, which the priest ââ¬Ëwishes ââ¬Ë for the male child through priesthood in ââ¬ËThe Sisters ââ¬Ë . The noun ââ¬Ëjourney ââ¬Ë in ââ¬ËThe Dead ââ¬Ë may be interpreted to intend a ââ¬Ëjourney ââ¬Ë in the way of decease. Escape through matrimony is satirised in ââ¬ËA Small Cloud ââ¬Ë by Gallaher ââ¬Ës statement to Chandler for holding ââ¬Ëtasted the joys of continual cloud nine ââ¬Ë . Gallaher ââ¬Ës statement is sarcastic as his passion in life is clear in his comment: ââ¬ËI mean to get married money ââ¬Ë . The vowel rhyme in this short sentence makes it memorable. Gallaher advises Chandler to ââ¬Ëgo away ââ¬Ë ââ¬Ëto London or Paris ââ¬Ë . Here, the flight is non to an alternate universe but to another portion of the universe where he can review and happen amusement in the ââ¬ËMoulin Rouge ââ¬Ë or ââ¬ËBohemian coffeehouse ââ¬Ë . However, Chandler does non experience comfy in come ining Corless ââ¬Ës saloon as he feels an ââ¬Ëagitation ââ¬Ë about ââ¬Ëovermaster [ ing ] ââ¬Ë him for the ââ¬Ëadventure of run intoing Gallaher ââ¬Ë or to ââ¬Ëescape from his small house ââ¬Ë or ââ¬Ëto unrecorded courageously like Gallaher. ââ¬Ë The contrast of the adjectives ââ¬Ëlittle ââ¬Ë and ââ¬Ëbravely ââ¬Ë reflect the difference of provinces of head of the two characters. Chandler views himself as ââ¬Ëlittle ââ¬Ë look up toing Gallaher ââ¬Ës bravery but feels ââ¬Ëagitation ââ¬Ë because of the ââ¬Ëadventure ââ¬Ë . This agitation reveals the battle a individual must see in order to get away the province they are in. Irony is shown in Chandler ââ¬Ës flight to London with ââ¬Ëhis travelled air, his well-cut tweed suit and unafraid speech pattern ââ¬Ë in contrast to the ââ¬Ësigns of future illustriousness ââ¬Ë through his imbibing and borrowing money. The positive linguistic communication ââ¬Ëwell-cut ââ¬Ë ââ¬Ëfearless ââ¬Ë and ââ¬Ëgreatness ââ¬Ë creates a dark tone to the narrative as the contrast highlights the darkness of his province. One of the most prevailing and well-known motives in Dubliners is the empty promise of flight with its subsequent defeat. Though this motive is frequently repeated in many different signifiers, the act of get awaying the Dublin status in an effort to alter one ââ¬Ës life is rarely, if of all time, accomplished by the chief characters. ( Bosinelli and Mosher, p54 ) Irony is besides shown in the cultural cliche ââ¬Ës in Dubliners. Gallagher ââ¬Ës advice to Chandler to get away ennui is through ââ¬Ërich Jewesses ââ¬Ë in the signifier of ââ¬Ëdark Oriental eyesaÃâ à ¦fullaÃâ à ¦of passion, of juicy hankering ââ¬Ë . The attractive adult female at the saloon in ââ¬ËCounterparts ââ¬Ë has ââ¬Ëlarge dark brown eyes ââ¬Ë and Micheal Furey in ââ¬ËThe Dead ââ¬Ë has ââ¬Ëbig dark eyes ââ¬Ë . The perennial adjectival ââ¬Ëdark ââ¬Ë emphasises the enigma of ââ¬ËOriental ââ¬Ë adult females and ââ¬Ëbig ââ¬Ë is besides repeated to reflect the size of difference between the metropolis of Dublin and the flight of an ââ¬ËOriental ââ¬Ë topographic point, off from Dublin. The words ââ¬Ëfull ââ¬Ë and ââ¬Ëpassion ââ¬Ë contrast the empty, passionless life Chandler lives and its attractive force is further emphasised by his ââ¬Ëlonging ââ¬Ë for a ââ¬Ëvoluptuous ââ¬Ë adult female . Besides, it is dry Chandler wishes his name was more ââ¬ËIrish-looking ââ¬Ë or if he could do a ââ¬Ëmelancholy tone ââ¬Ë or ââ¬ËThe Gaelic note ââ¬Ë which is repeated, but admires the English poet, Lord Byron ââ¬Ës verse form ââ¬Ë ââ¬ËHushed are the winds'-whose romantic melancholy and linguistic communication have surely become cliches in early twentieth-century Dublin. ââ¬Ë ( Bosinelli and Mosher p.56 ) Assorted subjects in Dubliners show cliched linguistic communication. The subject of faith is shown in ââ¬ËThe Sisters ââ¬Ë : ââ¬ËGod have mercy on his psyche ââ¬Ë and ââ¬Ëhe ââ¬Ës gone to a better universe ââ¬Ë . God is believed to be merciful for the psyche of the dead and the ââ¬Ëbetter universe ââ¬Ë refers to heaven. The subject of money is shown in different manners in ââ¬ËAfter the Race ââ¬Ë : ââ¬Ëto drama fast and loose ââ¬Ë and ââ¬Ëpots of money ââ¬Ë . To play ââ¬Ëfast and loose ââ¬Ë refers to the insignificance of losing money as it is done with velocity and without vacillation while the high significance of money is shown by the sum described through the hyperbole ââ¬Ëpots ââ¬Ë . The subject of drink is shown in different ways in ââ¬ËCounterparts ââ¬Ë : ââ¬Ënaming their toxicants ââ¬Ë and ââ¬Ëone small tincture ââ¬Ë Drink is shown as ââ¬Ëpoison ââ¬Ë which is deadly to a human organic structure but it is contrasted with the undistinguished ââ¬Ëlittle tincture ââ¬Ë shown in another portion of the narrative. The action in the narratives mirror well-known cliches. In ââ¬ËAn Encounter, ââ¬Ë the male child ââ¬Ës fancy for the coloring material green articulation with the empty field mirrors the phrase ââ¬Ëgreener grazing lands over yonder. ââ¬Ë In ââ¬ËAfter the Race, ââ¬Ë Jimmy ââ¬Ës hard place in the back place of the auto and his eventual persecution reflects the look ââ¬Ëto be taken for a drive. ââ¬Ë In ââ¬ËThe Boarding House, ââ¬Ë seductive Polly and persecuted Mr. Doran ââ¬Ës prevarication in bed implies ââ¬Ëyou ââ¬Ëve made your bed ; now lie in it. ââ¬Ë In ââ¬ËA Painful Case, ââ¬Ë Mr. Duffy ââ¬Ës delayed guilt for enduring the loss of Mrs. Sinico might be thought to be an dry dramatisation of the cliched phrase ââ¬Ëabsence makes the bosom grow fonder. ââ¬Ë The exasperation of Mrs. Kearney at the terminal of ââ¬ËA Mother ââ¬Ë could be the dry effect of the stating ââ¬Ëmother knows best. ââ¬Ë ââ¬ËThe more one thinks of the action of the narratives, the more easy cliches come to mind, merely as the more closely one examines the text of Dubliners, the more apparent go the cliches. ââ¬Ë ( Bosinelli and Mosher, p.56 ) The rubric ââ¬ËA Little Cloud ââ¬Ë is connected to the cliche ââ¬Ëevery cloud has a Ag liner ââ¬Ë . This ââ¬Ësilver run alonging ââ¬Ë represents hope of flight of the province Chandler is in by going every bit celebrated as a poet. The word ââ¬Ësilver ââ¬Ë indicates money. The sarcasm of both Chandler ââ¬Ës and Gallaher ââ¬Ës state of affairss is truly a perennial sarcasm as the significance of the cliche evolves into a dual sarcasm from what appears to be an original metaphor, to the empty cliche , to a new significance created by the cliche become metaphor in its context. ( Bosinelli and Mosher, p.57 ) Therefore, the significance of cliche ââ¬Ës enhances the readers apprehension of the action of the narratives which reflect mundane life. We learn of Chandler ââ¬Ës character that he is a down pessimist: He watched the scene and idea of life ; and ( as ever happened when he thought of life ) he became sad. A soft melancholy took ownership of him. He felt how useless it was to fight against luck, this being the load of wisdom which the ages had bequeathed him. The image of Chandler watching the scene and reflecting brings a arrest to the action of the narrative. The words ââ¬Ëalways ââ¬Ë and ââ¬Ëages ââ¬Ë imply his depression is insistent merely as the look ââ¬Ëthought of life ââ¬Ë is repeated. The adjectival ââ¬Ësad ââ¬Ë is besides repeated through the adjectival ââ¬Ëmelancholy ââ¬Ë to underscore his life ââ¬Ës dull modus operandi. The adjectival ââ¬Ëgentle ââ¬Ë is dry as his ââ¬Ëmelancholy ââ¬Ë is rough because it takes ââ¬Ëpossession of him ââ¬Ë . The noun ââ¬Ëpossession ââ¬Ë is striking as it implies his province of depression takes entire control over him and the uninterrupted depression is hard to interrupt out of as he feels how ââ¬Ëuseless it was to fight against luck ââ¬Ë . The noun ââ¬Ëwisdom ââ¬Ë is satirised as it is normally understood that wisdom is helpful in life but in his instance it is a ââ¬Ëburden ââ¬Ë . On the other manus, Chandler ââ¬Ës character can be seen as optimistic at times. Chandler says about his authorship that it is ââ¬Ëa melancholy tempered by returns of religion and surrender and simple joy ââ¬Ë . His unhappiness is toned down by positive emotions such as ââ¬Ëfaith ââ¬Ë and ââ¬Ëjoy ââ¬Ë . The adjectival ââ¬Ëmelancholy ââ¬Ë is repeated three times in the same paragraph and twice at the terminal of the narrative when Chandler reflects on Byron ââ¬Ës poesy. However, when Chandler hears the kid ââ¬Ës weeping, his pessimism returns. The word ââ¬Ëuseless ââ¬Ë is repeated three times in three lines and the statement ââ¬ËHe was a captive for life ââ¬Ë is flooring. Chandler ââ¬Ës idea turns from desperation to a hope in authorship and back once more to desperation, but throughout, banal linguistic communication and repeat render his committedness to any stance unconvincing. This ultimate deficiency of dedication is the increase of significance that the permeant cliche and repeat spread in retrospect, if non at first, over all the action. The drawn-out metaphor of desperation is shown through the repeating deficiency of assurance in Chandler. His imbalanced province is revealed in this uninterrupted cliched rhythm of hope, deficiency of hope so trust once more. There is a dual sarcasm in Gallaher ââ¬Ës assorted mentalities. He uses cliched linguistic communication: ââ¬ËI ââ¬Ëm traveling to hold my crack foremost and see a spot of life and the universe before I put my caput in the poke ââ¬Ë . The sarcasm is shown when Gallaher repeatedly congratulates Chandler for ââ¬Ëputting his caput in the poke ââ¬Ë , guaranting Chandler that Gallaher ââ¬Ës ââ¬Ëbest wants ââ¬Ë are those of a ââ¬Ësincere friend ââ¬Ë . The look ââ¬Ëhead in the poke ââ¬Ë creates an image of suffocation- Gallaher ââ¬Ës metaphor for matrimony. Chandler ââ¬Ës state of affairs is mocked through Gallaher ââ¬Ës bogus ââ¬Ëbest wants ââ¬Ë . ââ¬ËGallaher ââ¬Ës impermanent enthusiasm for ( Chandler ââ¬Ës ) married life is so made to look insincere by his naming that life ââ¬Ëstale'aÃâ à ¦The words are filled with significance and so emptied by contradictory 1s or banal linguistic communication in one dry bend after a nother. ââ¬Ë ( Bosinelli and Mosher p.58 ) Cliched linguistic communication can be made undistinguished by dry irony. The subject of money takes a darker tone in Chandlers position. He calls the furniture ââ¬Ëmean ââ¬Ë and ââ¬Ëpretty ââ¬Ë connoting money is attractive but unkind. He repeats these adjectives in depicting his married woman ââ¬Ës eyes. Chandler ââ¬Ës emptiness is emphasised as he reads poetry more than writes it. Chandler ââ¬Ërepeated lines to himself and this consoled him. ââ¬Ë The ââ¬Ërepeated lines ââ¬Ë mirror the repeated ââ¬Ësobbing ââ¬Ë in the narrative through the equivalent word ââ¬Ëcry ââ¬Ë and ââ¬Ëscream ââ¬Ë and the adjectival ââ¬Ëlittle ââ¬Ë is repeated in the rubric ââ¬ËA Little Cloud ââ¬Ë and Chandlers name has the label ââ¬ËLittle ââ¬Ë . The adjective is besides repeated in ââ¬ËIvy Day in the Committee Room ââ¬Ë 14 times. But Chandler ââ¬Ës name, we recall, carries with it the epithet ââ¬ËLittle ââ¬Ë , and his littleness of spirit and achievement and defeated promise for the hereafter are reiterated like a chorus at the terminal of the narrative by the married woman ââ¬Ës application of the adjectival both literally and figuratively ( therefore in consequence duplicating the repeat ) to the little and unfortunate kid, making an dry comparing to the male parent. ( Bosinelli and Mosher, p. 59 ) Repeats of words carry significance of actual and nonliteral significances. There are repeats in Dubliners which have topical worth. For illustration, in ââ¬ËCounterparts ââ¬Ë , the subject of choler is transferred from ââ¬Ëfuriously ââ¬Ë to ââ¬Ëfurious ââ¬Ë to ââ¬ËBlast him ââ¬Ë to ââ¬Ërage ââ¬Ë , to ââ¬ËBlast it ââ¬Ë to ââ¬Ëenraged ââ¬Ë to ââ¬Ërevel in force ââ¬Ë to ââ¬Ëbitter and violent ââ¬Ë and at the terminal ââ¬Ëfury ââ¬Ë and ââ¬Ëfuriously ââ¬Ë . The short and long words create a musical balance with the sound of the words changing. The perennial adverb ââ¬Ëfuriously ââ¬Ë contrasts the short words ââ¬Ëfurious ââ¬Ë and ââ¬Ëfury ââ¬Ë adding to the beat of the three syllable sentences ââ¬Ërevel in force ââ¬Ë and ââ¬Ëbitter and violent ââ¬Ë . The noun ââ¬Ëthirst ââ¬Ë is besides repeated to reflect his imbibing wonts. Here, so, is a series of perennial words and equivalent word that turns back upon itself, leads nowhere, and as such is a metonymy for Farrington ââ¬Ës repetitive occupation and the barbarous disk shape of his life: he works at copying and recopying the same words in order to gain money to still his thirst ( that is, acquire rummy ) but is still thirsty ( that is, he does non acquire rummy ) and must get down all over once more the following twenty-four hours to copy in order to gain money in order to acquire rummy. ( Bosinelli and Mosher, p. 60 ) The repeat of words mirrors the characters insistent life style. The subject of choler connects to the subject of darkness as Farrington is described as ââ¬Ëdark wine-coloured ââ¬Ë and the noun ââ¬Ëdarkness ââ¬Ë is repeated in the narrative. Darkness is shown in other narratives in Dubliners such as ââ¬ËThe Sisters ââ¬Ë through the 'empty hearth ââ¬Ë . The apposition of ââ¬Ëdark wine-coloured ââ¬Ë high spots the darkness of Farrington ââ¬Ës alcoholic job. Besides, the emptiness of the hearth in ââ¬ËThe Sisters ââ¬Ë mirrors the darkness of the narrative. Harold F. Mosher Jr describes darkness ââ¬Ëas a scene and general status in the universe of DublinersaÃâ à ¦ ââ¬Ë ( Bosinelli and Mosher, p.60 ) Again, the repeat of words mirrors the drawn-out metaphor which runs throughout Dubliners. The subject of visible radiation is shown in ââ¬ËThe Dead ââ¬Ë as Gabriel ââ¬Ës ââ¬Ëtender fires ââ¬Ë is repeated as ââ¬Ëtender fire ââ¬Ë and ââ¬Ëtender joy ââ¬Ë . Besides, Gabriel ââ¬Ës ââ¬Ëdull fires of his lecherousness [ which ] began to turn angrily ââ¬Ë reverberations Farrington ââ¬Ës state of affairs as the ââ¬Ëdull fire ââ¬Ë could be interpreted as alcohol- a fire he ââ¬Ëlusts ââ¬Ë for which ââ¬Ëgrows angrily ââ¬Ë into a dull stoping. Light is shown in a different manner through the character of Gretta as she is described with ââ¬Ëcolour on her cheeks ââ¬Ë , ââ¬Ërich bronze of her hair ââ¬Ë and ââ¬Ëshining ââ¬Ë eyes. Light is shown through the adjectives of the Sun such as ââ¬Ëbronze ââ¬Ë and ââ¬Ëshining ââ¬Ë . The images of light present new hope for their Gabriel and Gretta ââ¬Ës relation. Ironically, Gabriel moves from this visible radiation to the darkness outside to the muted visible radiation of the hotel room with his dull lecherousness and choler at the minute when, eventually, visible radiation in a nonliteral sense mornings on him about his relation to Gretta ( as visible radiation mornings partly on Jimmy in ââ¬ËAfter the Race ââ¬Ë after the dark of losing money. Subjects are repeated in different signifiers to reflect the state of affairs ââ¬Ës of the narratives. There are many contrasts in ââ¬ËA Little Cloud ââ¬Ë as Chandler feels ââ¬Ëacutely the contrast between his ain life and his friend ââ¬Ës ââ¬Ë . Contrasts are besides seen in the scene of the narrative: ââ¬Ëkindly aureate dust, ââ¬Ë ââ¬Ëgentle melancholy ââ¬Ë and ââ¬Ëgolden sundown ââ¬Ë . The contrast ââ¬Ëgolden dust ââ¬Ë mirrors the apposition ââ¬Ëdull fire ââ¬Ë seen in ââ¬ËThe Dead ââ¬Ë . Here ââ¬Ëkindly ââ¬Ë and ââ¬Ëgentle ââ¬Ë brace away, as does the repeat of ââ¬Ëgolden, ââ¬Ë and therefore ââ¬Ëdust, ââ¬Ë ââ¬Ëmelancholy, ââ¬Ë and ââ¬Ësunset ââ¬Ë associate with each other and with the other repeats of ââ¬Ëmelancholy ââ¬Ë later in the narrative as indexs of Chandler ââ¬Ës province of head and peculiarly of his attitude toward poesy and the possibility it offers for flight from his ââ¬Ësober unartistic life ââ¬Ë . ( Bosinelli and Mosher, p.61 ) The map of repeat and contrasts has topical significance to exhibit the characters aggravated state of affairs and the emphatic want to fly from their exasperation. The map of cliche ââ¬Ës augments the reader ââ¬Ës cognition of the action of the narratives which mirror day-to-day life. Cliched words can be made unimportant by dry irony. Repeats of words bear importance of factual and metaphorical significances. The repeat of words reflects the characters repeating life style.
Saturday, November 9, 2019
Why Do We Judge Each Otherââ¬â¢s Speech?
ââ¬Å"Why do we as human beingsââ¬â¢ pass judgment on each other for doing what comes natural to us like eating? I believe that itââ¬â¢s because some of us are scared to take the time to understand what the other party is trying to say, and these are my reasons why. First, the Dictionary defines the word Speech: as the faculty or power of speaking; oral communication; ability to express one's thoughts and emotions by speech sounds and gesture. The dictionary also defines the word Language: as a body of words and the systems for their use common to a people who are of the same community or nation, the same geographical area, or the same cultural tradition. So by those two definitions we should be able to express our thoughts and emotions by speech sounds and gesture to people who are within our same community or nation, but why does the dictionary state or in between community and nation? Is it because we can speak to one another with the same tone and or accent that other states or countries do not or is it something else? Iââ¬â¢m going to leave that answer to you. Second, accent now thereââ¬â¢s a word that will help shed some lite on the situation. Accent: the stress of a syllable in terms of differential loudness, or of pitch, or length, or of a combination of these. But is not America made up of different individuals from different nations i. e. Germany, France, Dutch, England, etc. coming together to live as one in peace. I was reading somewhere that the language of regional states is made up of patchwork from different countries that migrated to America. Being that all these countries arrived in America would it be a safe assumption that these same countries adopted the English language as well as vice versa. Maybe with all these countries intergraded into our society it hard to understand witch language to speak? Third, now a days the regions of America are broken up into four groups Eastern, western, mid-western, and southern with every region having their own language, and everyone believes that the other cities/states has the accent not theirs, but through it all there is one language that Americans can agree upon as the master language witch is Blue Collar (Standard English). There are two types of Blue Collar English the original version (The Queans English) and the adopted English we use in America. Both are accepted across the world, and we can understand each other, but The Queans English pronounce its syllables better then American English. Fourth, with in America there are two types of English Standard and Non Standard with Standard English being the dominant language. One cannot receive a well-paying job without learning and speaking Blue Collar English, one cannot be accepted within the Blue Collar community without learning, and speaking Blue Collar English. It is ok to speak nonstandard English within your community, but to get ahead in our society we must learn, read, write, and speak Standard English. These are the standards that we placed upon ourselves is it right some say no, but a lot of other people disagree. Finally, although Iââ¬â¢ve been all over the world and tried to understand the culture and dialect of these different countries Iââ¬â¢m no better than everyone else I think that my country is the best and we have the best language in the world. Does that make me a bad person no but I do have a lot to work on to better myself as a human.
Thursday, November 7, 2019
Free Essays on Profitable Collusion
Profitable Collusion Several themes can be derived from Bessie Headââ¬â¢s, ââ¬Å"The Prisoner Who Wore Glassesâ⬠. Possibly, the most apparent, prefabricated theme is strength in numbers; however, the setting, time period, motivations, underlying political implications, and the characters imply more. The theme becomes easily describable as profitable collusion. ââ¬Å"The Prisoner Who Wore Glassesâ⬠takes place in1974, at a prison in Africa, more specifically, South Africa. This particular setting is important to the atmosphere of the story for several reasons. South Africa, during 1974, was a place and time of political injustice, decolonization, reverse racism, and distorted leadership through tribalism. Tension among Africaââ¬â¢s inhabitants was extreme, and Headââ¬â¢s writing reflects it. Reverse racism is essential for creating tension and explaining the aggression created from within one race. Reverse racism is racial prejudice directed at others of the same nationality, culture, or society. The main character, Brille, is a black political prisoner. Brilleââ¬â¢s complications and resolutions come from a black warder, Jacobus Stephanus Hannetjie, and later in the story Brille complicates Hannetjieââ¬â¢s situation. Head sets the atmosphere when Hannetjie is introduced. Head explains, ââ¬Å"No black warder should be in charge of political prisoners lest this prisoner convert him to his viewsâ⬠(104). Hannetjie, arguably, possessed the ability to express reverse racism, thereby becoming the first black warder in charge of ââ¬Å"Span Oneâ⬠(104). ââ¬Å"Span Oneâ⬠(104) is a group of political prisoners who work and live chained to one another. They are depicted as a group of men experienced in the art of concealment and thievery, but Hannetjie enables them. He creates complications for Brille and ââ¬Å"Span Oneâ⬠(104) by hindering them from obtaining extra food and tobacco. Extra food and tobacco make prison life for Brille and the rest... Free Essays on Profitable Collusion Free Essays on Profitable Collusion Profitable Collusion Several themes can be derived from Bessie Headââ¬â¢s, ââ¬Å"The Prisoner Who Wore Glassesâ⬠. Possibly, the most apparent, prefabricated theme is strength in numbers; however, the setting, time period, motivations, underlying political implications, and the characters imply more. The theme becomes easily describable as profitable collusion. ââ¬Å"The Prisoner Who Wore Glassesâ⬠takes place in1974, at a prison in Africa, more specifically, South Africa. This particular setting is important to the atmosphere of the story for several reasons. South Africa, during 1974, was a place and time of political injustice, decolonization, reverse racism, and distorted leadership through tribalism. Tension among Africaââ¬â¢s inhabitants was extreme, and Headââ¬â¢s writing reflects it. Reverse racism is essential for creating tension and explaining the aggression created from within one race. Reverse racism is racial prejudice directed at others of the same nationality, culture, or society. The main character, Brille, is a black political prisoner. Brilleââ¬â¢s complications and resolutions come from a black warder, Jacobus Stephanus Hannetjie, and later in the story Brille complicates Hannetjieââ¬â¢s situation. Head sets the atmosphere when Hannetjie is introduced. Head explains, ââ¬Å"No black warder should be in charge of political prisoners lest this prisoner convert him to his viewsâ⬠(104). Hannetjie, arguably, possessed the ability to express reverse racism, thereby becoming the first black warder in charge of ââ¬Å"Span Oneâ⬠(104). ââ¬Å"Span Oneâ⬠(104) is a group of political prisoners who work and live chained to one another. They are depicted as a group of men experienced in the art of concealment and thievery, but Hannetjie enables them. He creates complications for Brille and ââ¬Å"Span Oneâ⬠(104) by hindering them from obtaining extra food and tobacco. Extra food and tobacco make prison life for Brille and the rest...
Tuesday, November 5, 2019
Geography and History of Finland
Geography and History of Finland Finland is a country located in Northern Europe to the east of Sweden, south of Norway and the west of Russia. Although Finland has a large population at 5,259,250 people, its large area makes it is the most sparsely populated country in Europe. The population density of Finland is 40.28 people per square mile or 15.5 people per square kilometer. Finland is also known for its strong educational system, economy and it is considered one of the worlds most peaceful and livable countries. Population: 5,259,250 (July 2011 estimate)Capital: HelsinkiBordering Countries: Norway, Sweden, and RussiaArea: 130,558 square miles (338,145 sq km)Coastline: 776 miles (1,250 km)Highest Point: Haltiatunturi at 4,357 feet (1,328 m) History It is unclear about where the first inhabitants of Finland came from but most historians claim that their origin is Siberia thousands of years ago. For most of its early history, Finland was associated with the Kingdom of Sweden. This began in 1154 when Swedens King Eric introduced Christianity in Finland. As a result of Finland becoming a part of Sweden in the 12th century, Swedish became the regions official language. By the 19th century, however, Finnish again became the national language. In 1809, Finland was conquered by Czar Alexander I of Russia and became an independent grand duchy of the Russian Empire until 1917. On December 6th of that year, Finland declared its independence. In 1918 a civil war took place in the country. During World War II, Finland fought the Soviet Union from 1939 to 1940 (The Winter War) and again from 1941 to 1944 (The Continuation War). From 1944 to 1945, Finland fought against Germany. In 1947 and 1948 Finland and the Soviet Union signed a treaty that resulted in Finland making territorial concessions to the USSR. Following the end of World War II, Finland grew in population but in the 1980s and early 1990s it began to have economic problems. In 1994 Martti Ahtisaari was elected as president and he began a campaign to revitalize the countrys economy. In 1995 Finland joined the European Union and in 2000 Tarja Halonen was elected as Finland and Europes first female president and prime minister. Government Today Finland, officially called the Republic of Finland, is considered a republic and its executive branch of government is made up of a chief of state (the president) and a head of government (the prime minister). Finlands legislative branch is composed of a unicameral Parliament whose members are elected by popular vote. The countrys judicial branch is made up of general courts that deal with criminal and civil cases as well as administrative courts. Finland is divided into 19 regions for local administration. Economics and Land Use Finland currently has a strong, modern industrialized economy. Manufacturing is one of the major industries in Finland and the country depends trade with foreign nations. The main industries in Finland are metals and metal products, electronics, machinery and scientific instruments, shipbuilding, pulp and paper, foodstuffs, chemicals, textiles, and clothing. In addition, agriculture plays a small role in Finlands economy. This is because the countrys high latitude means that it has a short growing season in all but its southern areas. The main agriculture products of Finland are barley, wheat, sugar beets, potatoes, dairy cattle, and fish. Geography and Climate Finland is located in Northern Europe along the Baltic Sea, the Gulf of Bothnia and the Gulf of Finland. It shares borders with Norway, Sweden and Russia and has a coastline of 776 miles (1,250 km). The topography of Finland is relatively gentle with low, flat or rolling plains and low hills. The land is also dotted with many lakes, over 60,000 of them, and the highest point in the country is Haltiatunturi at 4,357 feet (1,328 m). The climate of Finland is considered cold temperate and subarctic in its far northern areas. Most of Finlands climate is moderated by the North Atlantic Current, however. Finlands capital and largest city, Helsinki, which is located on its southern tip has an average February low temperature of 18 F (-7.7 C) and an average July high temperature of 69.6 F (21 C). Sources Central Intelligence Agency. (14 June 2011). CIA - The World Factbook - Finland.Infoplease.com. (n.d.). Finland: History, Geography, Government, and Culture- Infoplease.com.United States Department of State. (22 June 2011). Finland.Wikipedia.com. (29 June 2011). Finland - Wikipedia, the Free Encyclopedia.
Sunday, November 3, 2019
Timberland and City Year Case Study Example | Topics and Well Written Essays - 2500 words
Timberland and City Year - Case Study Example The Timberland brand had existed since 1973 and had shown steady growth since then. When Jeffery Swartz took over in 1991, he applied some basic business expertise to the organization, reducing overheads, cutting inventory, and improving customer service significantly. The result was an increase in revenues from $196 million in 1990 to $650 in 1994. Alongside, Swartz made considerable effort to associate the company and the brand with community service. Swartz developed a distinct relationship with City Year, a fledgling community service corps for young people in the Boston area. Between 1991 and 1994, this relationship strengthened from a supply of 70 boots to a level where Timberland stood committed to providing five million dollars to City Year over a five-year period and Swartz taking a position on its Board. City Year in the meantime increased its spread to six major cities across the US and gained recognition as a national community service receiving 50% of its funds through F ederal grants. Timberland's practice of modern day philanthropy, although good hearted, cannot go without both challenges and criticisms. In the subsequent analysis, we find that the partnership generated benefits and negatives for Timberland because of the inherent and sometimes acute difference in agendas of a for-profit company and a non-profit organization. However, the most drastic problems surfaced in late 1994, early 1995. The loss for Timberland was financial, leaving many employees worried about an uncertain future. Timberland was forced to scale back its operation, laying off a number of employees and outsourcing labor. City Year also faced funding problems, as Congress threatened to withdraw federal funding. Community service with City Year became a major source of tension within the company as employees found it difficult to accept diversion of major amounts to City Year while colleagues lost their jobs in the company. The problem now became whether and how to maintain commitment to co mmunity service in the face of financial difficulties. Literature Review Mason (1993), states that customers may not perceive companies as doing enough even when they are providing good quality at competitive prices. There is increasing emphasis on environment and social involvement among businesses as part of strategy (Fellman, 1999). This concern has been at the root of corporate responsibility discussions that took shape in the Sarbanes Oxley Act, requiring transparency in operations and for companies to demonstrate their commitment to the environment and society through positive action. Studies have shown that customers buy from their business not only based on criteria such as price, quality, and availability, but also other socially responsible acts. According to L&G Business Solutions, a 2001 Hill & Knowlton Harris Interactive poll showed that 79% of Americans consider corporate citizenship when deciding whether to buy a particular company's product; 36% of Americans consider corporate citizenship an important factor when making purchasing decision s. Cause related marketing (CRM) is an accepted and key strategy in
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